Nicolas Maigret is an artist, curator, and educator based in Paris. He is a recipient of the Award for Research in Artistic Technology (2015), the First Prize for Digital Arts from Arte Laguna (2016), and a Design Trust Grant, Honk Kong (2018).
Nicolas Maigret exposes the internal workings of media, through an exploration of their dysfunctions, limitations or failure thresholds which he develops into immersive, ambiguous and critical artworks. He initiated DISNOVATION.ORG, a working group which aims to disrupt, pervert, and complexify the accounts on technological innovation. The group develops situations of disturbance, speculation, and debate, challenging the ideology of technological solutionism and stimulating the dissemination of alternative narratives. He teaches at Parsons Paris and develops a research on “Black Boxes” with V2_ Rotterdam and UCL Louvain. With Maria Roszkowska he co-edited The Pirate Book, an anthology on media piracy.
His work has been presented in international exhibitions and festivals including Transmediale (Berlin), Museum of Art and Design (New York), 30th Chaos Communication Congress (Hamburg), ISEA (Hong Kong), Palais de Tokyo (Paris), Centre Pompidou (Paris), Elektra (Montréal), China Museum of Digital Arts (Beijing), HEK (Basel), Polytechnic Museum (Moscow), File (Sao Paulo), Northwest Film Forum (Seattle), School of the Art Institute (Chicago), The Pirate Bay 10th Anniversary (Stockholm), Eastern Bloc (Montreal)…
His work has been featured in Forbes, Vice, Wired, Motherboard, Libération, Die Zeit, Arte TV, Next Nature, Hyperallergic, Le Temps, Neural.it, Digicult, Gizmodo, Seattle Weekly, torrentfreak.com, and Filmmaker Magazine among others.