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Anti-Gone

Anti-Gone

Anti-Gone is a new mixed reality performance by inspired the comic book of the same name by Connor Willumsen. Anti-Gone incorporates live performance with real time simulation to explore the social impacts of technology, privilege and the beginnings and ends of worlds.

Adapting the mechanics of open world video games, Triantafyllidis revises traditional narrative into a continuous simulation, taking place in a meticulously crafted 3D world, full of visual signifiers of paradise: a bright blue ocean, lush multicolored vegetation, a sunken city lit by glowing sunsets. This world is also riddled with social unrest and mutation, a post-climate change world where environmental catastrophe has become normalized. The vestiges of late-capitalist culture – consumerism, inequality, social unrest – live on, clinging like barnacles to the ruins of civilization. This work features Spyda and Lynxa on their sailboat, as they glide from shopping to movies to psychedelic drugs, and social unrest. Using a motion capture suit and virtual reality headset as embodied interfaces, actors perform both onstage and in the virtual world. Performing alongside them on-stage, Triantafyllidis and his team of game engineers direct and shape the world in real-time.

Triantafyllidis’ hybrid theater becomes a mirror of the demands made by the hyperactive disorientation and confusion of our mediated “real” lives and class gap tensions. The virtual world Triantafyllidis has created is a portrait of the complexities of our world, consumed by the game-logic of the virtual worlds we’d like to inhabit. As the fourth wall becomes merged with the audience’s perception, Anti-Gone proposes an alternate perspective of universal concerns for the present and future, which may very well already be our past.

Anti-Gone

Theo Triantafyllidis, 1988, Athens, Greece, is an artist who builds virtual spaces and the interfaces for the human body to inhabit them. He holds an MFA from UCLA, Design Media Arts and a Diploma of Architecture from NTUA. He has shown work in museums, including the Hammer Museum in LA and NRW Forum in Dusseldorf, DE. He was part of Hyper Pavilion in the 2017 Venice Biennale and the 2018 Athens Biennale: ANTI-. He is based in Los Angeles, US.